Producing The White Whale has really taken hold the last few weeks as we've begun rolling out our idea of a first main season. Eventually we are going to start introducing one-off recordings that allow some divergence and continuation between seasons without losing the idea of long-form documentary that we are embracing with The Yokai Trilogy.

This episode of The White Whale continues the conversation of The Yōkai Trilogy and looks at how sound running backwards and listening out of order became significant conduits to composition. "Start anywhere, go anywhere, and do anything" as John says. Being a decider of your own experience shapes your context. This episode features a new track, Lullaby, by This Line newly available on their release Riemannian Metrics: https://americanresiduerecords.bandcamp.com/album/riemannian-metrics This season of The White Whale is aiming to thoroughly consider The Yōkai Trilogy - an art collaborative between John R. Barner and Garrett D. Tiedemann where John supplies the music and Garrett the visuals. The project has been happening for more than a year and a half with the support of CyNar Pictures and American Residue Records. Final record in the trilogy and set of films are due for release soon. To learn more about the project - including music and video streams - go to: http://www.cynarpictures.com/video/yokai-trilogy/ Theme music by Garrett D. Tiedemann and John R. Barner. Original music in this episode is by Garrett D. Tiedemann. Additional music by This Line from the album Riemannian Metrics (https://americanresiduerecords.bandcamp.com/album/riemannian-metrics) and American Residue Presidents: from the albums Last Foxtrot in Burbank: The Mixtape (https://americanresiduerecords.bandcamp.com/album/last-foxtrot-in-burbank-the-mixtape) and Breakable Objects: The Mixtape (https://americanresiduerecords.bandcamp.com/album/breakable-objects-the-mixtape) Cover art by Garrett D. Tiedemann

Unexpectedly, this podcast has led us to rediscover content forgotten as well as tracks unreleased, though not by design. In case of the latter it could have been easy to pretend that wasn't the case and eventually release it as a single or as part of the original music for the podcast, but that feels disingenuous. Especially as part of the "intent" is to reveal the process.

Meta though this may be, it struck a cord that something sitting in an original assembly didn't make it all the way down the distribution chain; requiring rediscovery by an entirely unknown prospect at the time of initially considered release.

  <a href="http://americanresiduerecords.bandcamp/album/riemannian-metrics">Riemannian Metrics by The Line</a>

This podcast is blessed by our record label which allows usage free and clear where something original to the episode is not needed. Yet, the podcast has already offered something back and we're all better for it.

Excited to see what other pieces will reveal themselves in the process. For now, count this as an eventual one-off - investigating the discovery unknowingly necessary.